Escape Velocity
10 Mar 2015Countdown to Ecstasy
If we can make it there, we can make it anywhere.
This post is just an experiment in integrating a jquery timer with Jekyll.
If we can make it there, we can make it anywhere.
This post is just an experiment in integrating a jquery timer with Jekyll.
In this dream I was taking some sort of music class with Holden. The two teachers looked like they were once in Metallica. Holden and I had supplied the musical instruments for the class, and both teachers complained about the inferior sound quality of the gear we provided. They also spent much of the class fiddling and tweaking, trying to get the sound right. After one of them gave up in frustration on the synth, I told them that they could use the piano in the corner.
One of them sits down at the piano, but just sort of taps lightly on the surface of the keys. I said, "It's alright. You can use that piano." He said, "I can't play this piano. It's too small." And that was pretty much it for me. Fed up, I asked, "What? What is the difference? Why can't you play a piano that size?" His face fell, as he explained to the class, "I can't play a small piano, because my ex-girlfriend put out a restraining order on me. Happy?!"
I ended up feeling really really guilty about my callous questioning and just let them continue to tinker with a synthesizer for the rest of the class. The last thing I remember of the dream was Holden and I pushing that small piano down the highway. Also, it turns out that the phrase, "small piano," so popular in my dream, really just means "upright piano."
Another Halloween candied tidal wave has washed over us. Holden is upstairs asleep. Daisy is watching a movie, eating popcorn, with a friend. This is the first Halloween that I have not walked the sidewalks of Candyland with my children. They both chose to pick the fruits of the candied Fall on their own this year. Daisy travelled in a pack of girls with themed and matching costumes. Holden walked alone, positively Warholian in his demeanor.
Sitting on the porch after everyone has assumed their nighttime positions, I realize how these sweet children show me the way. Their kindness and creativity and bravery, like a note by an alarm clock, remind me who I need to be.
I went to see The Spits play at Kraftbrau Brewery in Kalamazoo. My companion for the evening was the saucerman, John Kasdorf. I’d been telling those Wood brothers that I was going to see them play for years. Now was my chance to get right with the world and watch them rock it out. I mean, they’ve gone to see me play shows numerous times, so I really did owe them a visit.
Anyway, K-dork and I arrived early and enjoyed the opening act. My memory is too fickle to remember who they were. Once they finished the area in front of the stage emptied out. We both moved up front and center, right at the exact edge of the stage. I wanted those guys to see that I was there to see them. I wanted to cheer and make noise for them. SO, we waited there, drinking beer while they set up.
All of the sudden some woman walked up next to me on my left and attempted to elbow her way in front of me. Mind you, there is no one around. No one. The place is empty. Everyone is outside smoking or something. It’s just me up by the stage at the center with old John Kasdorf on my right. I didn’t yield. She just kept pushing on me, trying to get in the six inch space between me and the stage. I looked at her with a look that I usually reserve for black unicorn sightings. She said, “Excuse me.” She was looking at me like it was her right to be at the front of the stage, because she was all, you know, “part of the scene,” and I was like, you know, all “old and out of place.”
The thing is, though, I wasn’t going to budge. I really did want to see this show. I really did want to be up front, so they knew I was there, enjoying what they were putting down. So there we were, the three of us, in an empty bar, with her pushing on my left side, like we were going to slow-motion wrestle. She got past me, though. I gave up a little too much room, and there she was, exactly filling the six-inch space between me and the stage.
I backed up and said something along the lines of “what in the hell are you doing?” She just stared at me, like I just got what I deserved, the social order was intact. This woman, with the haggard bleach-tatoo-piercing-belly-exposed-combat-boots-wrinkly-face, gave me her best “what is your problem.”
At that moment, I knew exactly what to do. It hit me like hot greasy lightning in my guts. I reached down towards my pitcher of beer on the stage, plunged both my hands into it, pulled them out and proceeded to smooth down her bangs with my beer soaked hands. Her hair ruined for the night, she jumped back. I elbowed my way back to the place I initially occupied at the front of the stage, turned around and said, “There. Now you’ll have something to blog about to all your MySpace friends.”
She left, but later on, while The Spits were playing, she kept “moshing” and “slamming” into me, still trying to get up to that precious spot. I stood my ground at that point totally on principle.
But that shining moment, that shining moment where I said and did the right thing at the right time, I don’t think I’ll ever have it that good again.
This whole thing is being written down for my babies. Maybe even for their babies, but that might be a bit of hubris. I just want them to know how I got to be who I am, that guy that makes sure they sleep well every night, that dad guy. It’s all goofily morbid, I guess. I just know that it all can slip away so fast, and something exists in all of us that makes us want to try and tell a bit of what mattered to us in our short time in our thin space suits.
I should start by telling them that I’m listening to The Minutemen. That would actually tell them something about what moves me and why the Econoline continues to haunt my sleep. I guess I am starting that way. Let me change the focus. Hello, babies. Hello angels. Smart. Beautiful. Kind and healthy. Your father is going to tell you as much as he can of his life, starting with his most remote, unknowable memory. This is appropriate for someone who barely remembers what happened three hours ago. So, in an apartment on Pine Street in San Francisco, California in the Autumn of Love, I entered the world of bright lights and air. One of you has hopefullly inherited a painting of a UFO over the SF skyline. I will explain more about that later. For now, just know that you should hold it close for a while longer. That morning I almost arrived without making a dent in the paper carapace of our government. We we were so close in those early hours, but I ended up leaving the warmth of home for the realm of doctors and birth certificates and social security numbers soon after being born.
As you will soon learn, my biological father was sort of a selfish and well-meaning chicken. I only entered the system because he was unable to cut the cord. He was later able to conveniently ignore the cord that should have tied him to me and my sisters, but that’s kind of telling too much early on. I mostly want to elaborate on my birth, because it allows me to tell the story of my mom, your grammie, the way I think it should be told, truthfully and with the sort of awe that you may never feel. For that reason, I am guessing that this will be the longest chapter in the story of my life.
I have many friends who are now all old and stuff, but they really don’t understand the world from 1964 to 1967. They want to, they all think they do, but they don’t. They have paid their dues at the magazine racks and record stores and thrift stores, and they’ve looked for a long while at the backs of their own heads, but they continue to miss the mark.